“If I were an Angel I would cast
away my wings and halo,
forever
just to spend one more moment
near you”
-James O’Barr, “Anodyne”
The Crow is one of the most significant works of fiction that I have ever read; afterwards, this story shall never leave you. It is passionate, painful, burning and intense. It is poetry in graphic novel form. It is beautifully dark, and there is a meaning to its bleakness. This is a tale that comes directly from the author’s soul, a story that needed to be told.
When James O’Barr was a teenager, his girlfriend was killed in a car crash. Blaming himself for what had happened, he was distraught, and could not get over her death. This, combined with the story he heard of a couple murdered for their engagement rings, led him to create The Crow. He felt that through writing this, he would be able to get rid of the terrible pain he felt. It didn’t work. If anything, it made him feel even worse. He grew to dislike his creation, seeing it as glorifying revenge. And after the death of Brandon Lee during the filming of the screen adaptation, O’Barr’s guilt grew. It was only with time and the aid of Lee’s fiancee that he finally came to terms with what had happened, and realised that The Crow had relevance to not just him but to so many other people, and that, at its core, it was a love story.
I read the graphic novel after seeing the film, and so I think it’s important that I compare the two here. While both are excellent, I definitely prefer the book, mostly due to the plot. In the film, the storyline is a bit simpler and more conventional, with Eric having to defeat the city’s evil crime boss, while the comic was just about him killing off the thugs who murdered his fiancee. Also, and more importantly in my opinion, the two versions differ as to what happened to Eric after he and Shelley were brutally attacked. The movie shows Eric being resurrected and gaining supernatural characters; the graphic novel only implies that he came back from the dead and leaves many things open to interpretation. For all we know, Eric could easily have just snapped from what had happened, and the crow that follows him might be a mere hallucination. Then again, that doesn’t explain how he suddenly became such an invincible force. To be honest, if I hadn’t seen the film first, then I’d be a little bit confused as to what was happening. In the end though, both versions are good, it just depends on what you prefer.
The copy I purchased was the recently-released Special Edition, which claims to be “the definitive author’s vision of the classic graphic novel”. I truly reccomend that you keep a look out for it, as it is without a doubt worth buying. Not only does it contain a new introduction by the author, but also extra scenes that weren’t included in the original comics. As for the comic itself, it is stunning. The art is gorgeous, and reminds me of perhaps a darker Will Eisner. (For those who don’t know, Will Eisner is a comic book legend.) It reflects perfectly the strong, powerful emotions present in the story, and the torment that Eric is going through. We even see him engaging in self-harm, and this is one of the few times that cutting oneself isn’t portrayed in a shallow or immature manner. Several poets and musicians are quoted throughout, though I’m kind of disappointed that it never references The Raven, as the motion picture did. I also like how the world changes for Eric after Shelley’s death; in the flashbacks, things appear innocent and perfect, while the present is almost dystopian. As for the conclusion, it is poignant and haunting. I urge you to read it for yourself. It isn’t one hundred per cent perfect, but it is deeply raw and sincere.